| 1 | Spiller – | Batacuda (Elusive's Samba Vocal Mix) Written-By – M. Valle*, P. Valle*, R. Gilverto* | ||
| 2 | Mousse T. – | Ooh Song | ||
| 3 | Rob Paine – | Never Can Say Goodbye Written-By – R. Paine* | ||
| 4 | R.I.P. Productions – | She's Got Written-By – O. Adimora*, T.Liken* | ||
| 5 | Julian* – | Tribute Written-By – J. Jarbe* | ||
| 6 | Deep C (4) – | I Want You Back Written-By – L. Holmes*, G. Thomas*, M. Elliot* | ||
| 7 | Rhythm Static* – | Come To Me Written-By – D.J.Fox*, F.Perez* | ||
| 8 | Mamdue* – | King Of My Castle Written-By – Chris Bann* | ||
| 9 | Montano (2) vs. Trumpet Man, The* – | Itza Trumpet Thing Written-By – A. Routh*, G. Matthewmann* | ||
| 10 | MPC's, The – | I'll Be There Written-By – C. McKoy*, R. Faber* | ||
| 11 | Bones* & Horns* – | Ma Baker (Star Club Remix) Written-By – F. Farian*, F. Jay*, Reyam*, Oliver Wallner, Re-Run | ||
| 12 | Amora – | Degrees In Love | ||
| 13 | Sound De-Zign – | Happiness   |
Thursday, June 20, 2013
Classic Compilation #2 Heavy Dee Crew, The – 45 BPM Mid-Tempo House Hits
Thursday, June 6, 2013
Classic Compilation #1 What's Phat Pussycat 3
| Stephanie Cooke – | Thank You (Shelter DJ Mix) Remix – Blaze, Timmy Regisford | |||
| Stephanie Cooke – | If I Have To Change (DJ Spinna Remix) Remix – DJ Spinna | |||
| Rodamaal – | Musica Feliz (Alex S Return 2 Disco Mix) Remix – Alex S Vocals – Nicinha | |||
| Bah Samba – | And It's Beautiful (Original) | |||
| Yass & M'Dee – | October (Claude Monnet "Deepa" Mix) Remix – Claude Monnet | |||
| East West Connection – | High On Life (East West Connection Main Mix) Featuring – Daniel Vacchio | |||
| Native New Yorkers – | Another Day Vocals – Jessica Lauren | |||
| Sir Piers – | Don't You Love Me (Original 12" Mix) Vocals [Featuring] – Monique Bingham | |||
| 10 | Ms. Alto – | Taste The Wine Engineer – Mike Clingan, Slavic Livins Keyboards – Kevin Randolph Mixed By – Slavic Livins Percussion – Henry Love Producer, Programmed By, Keyboards – Vince Lawrence Vocals – Christina Sanchez | ||
| 11 | DJ Spinna – | Music In Me (Paul Simpson Extended Mix) Remix – Paul Simpson Vocals – Sean Escoffery* |
Wednesday, June 5, 2013
2kza dj #Classics 1
2kza dj Classics 1
Catch 2kza_dj @ YOUNG N FREE @ZONE6VENUE ON THE 16.06.2013 ALONG SIDE :
Catch 2kza_dj @ YOUNG N FREE @ZONE6VENUE ON THE 16.06.2013 ALONG SIDE :
Black Coffee
DJ Kent
SPHEctacula
DJ Naves
Mo Flava
Warras
PROKid
Major League
Panache Boyz
Origins Of House Music ....
House music is a genre of electronic dance music that originated in the American city of Chicago in the early 1980s. It was initially popularized circa 1984 in Chicago, but beginning in 1985, it fanned out to other major cities such as Detroit, Toronto, Mexico City, New York City, San Francisco, Boston, Montreal, Cancún, Manchester,[1] Miami, London,[1] and Paris. It then began to influence popular music in Europe, with songs such as "House Nation" by House Master Boyz and the Rude Boy of House (1987) and "Doctorin' The House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines,[2] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,[2] and the repetitive rhythm of house was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres,[2] such as Euro house, tech house, and electro house.
House music, after enjoying significant underground and club-based success in Chicago from the early 1980s onwards, emerged into the UK mainstream pop market in the mid-to-late 80s. Popularity quickly followed in the rest of Europe, and it became a global phenomenon from the early-to-mid 90s onwards.[2] It proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna,[2] Janet Jackson,[3] Björk, Kanye West,[4] and C+C Music Factory[2] incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, as the DJ Mag Top 100 DJs poll has been dominated by house DJs since the beginning of the polls. Today, house music remains popular in both clubs and in the mainstream pop scene while retaining a strong foothold on underground scenes across the globe.
Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977),[5] Yellow Magic Orchestra's synth-disco-pop productions from their self-titled album (1978), Solid State Survivor (1979),[6][7] and several early 1980s disco-pop productions by the Hi-NRG group Lime.
Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982) anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to its rediscovery in the 21st century.
It is possible that the term 'house music' surfaced in reference to the sounds played at the Warehouse by Knuckles.[citation needed] Initially it was a catch-all term to describe the wide range of music being played at the Warehouse. It soon became the word used to define the raw, drum machine based edits and tracks that Knuckles was playing in the early 1980s. Knuckles bought his first drum machine from a young Derrick May who regularly made the trip from Detroit to see Knuckles at the Warehouse, and Ron Hardy at the Music Box
To Us growing up the genre of Music was simply known as INTERNATIONAL MUSIC. It carved the taste, direction and preference of one's Music. This commonly known source of Music is a Mother to a lot of Newly Born Genres. The SOUND Mimics one's Heartbeat and pierces through Your Soul.
Thank You God For House Music.
Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines,[2] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,[2] and the repetitive rhythm of house was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres,[2] such as Euro house, tech house, and electro house.
House music, after enjoying significant underground and club-based success in Chicago from the early 1980s onwards, emerged into the UK mainstream pop market in the mid-to-late 80s. Popularity quickly followed in the rest of Europe, and it became a global phenomenon from the early-to-mid 90s onwards.[2] It proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna,[2] Janet Jackson,[3] Björk, Kanye West,[4] and C+C Music Factory[2] incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, as the DJ Mag Top 100 DJs poll has been dominated by house DJs since the beginning of the polls. Today, house music remains popular in both clubs and in the mainstream pop scene while retaining a strong foothold on underground scenes across the globe.
Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977),[5] Yellow Magic Orchestra's synth-disco-pop productions from their self-titled album (1978), Solid State Survivor (1979),[6][7] and several early 1980s disco-pop productions by the Hi-NRG group Lime.
Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982) anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to its rediscovery in the 21st century.
It is possible that the term 'house music' surfaced in reference to the sounds played at the Warehouse by Knuckles.[citation needed] Initially it was a catch-all term to describe the wide range of music being played at the Warehouse. It soon became the word used to define the raw, drum machine based edits and tracks that Knuckles was playing in the early 1980s. Knuckles bought his first drum machine from a young Derrick May who regularly made the trip from Detroit to see Knuckles at the Warehouse, and Ron Hardy at the Music Box
To Us growing up the genre of Music was simply known as INTERNATIONAL MUSIC. It carved the taste, direction and preference of one's Music. This commonly known source of Music is a Mother to a lot of Newly Born Genres. The SOUND Mimics one's Heartbeat and pierces through Your Soul.
Thank You God For House Music.
Deep House@Last Podcasts
http://motaunggumi.podomatic.com/entry/2013-05-08T14_08_41-07_00
1.QB Smith - Yes No Maybe (QB's Hotstrumental)
2.QB Smith,Mdcl,Brian Themba - Man Of Summer (QB's Hot mix)
3.Glenn Underground feat Swaylo - I Am Not In Love (CVO slum Illa Mix)
4.Deep Character,Mad Boss,Big Daddy - NY Dreams (60 Hertz Project Remix)
5.Botshelo Huma,Nkokhi - Something New (Josh Milans's Honeycomb Vocal mix)
6.Kimara Lovelace - How Much I Love You (Reelsoul Dub)
7.PhatFrank,Dana Weaver - Hot (N'Diga Gaba Remix)
8.RiskSoundSystem,Marc Evans - Closer (DJ Spen & Gary Hudgins Remix)
9.Mixas - Get A Groove
10.Dj Sonic - Broken Soul
2.QB Smith,Mdcl,Brian Themba - Man Of Summer (QB's Hot mix)
3.Glenn Underground feat Swaylo - I Am Not In Love (CVO slum Illa Mix)
4.Deep Character,Mad Boss,Big Daddy - NY Dreams (60 Hertz Project Remix)
5.Botshelo Huma,Nkokhi - Something New (Josh Milans's Honeycomb Vocal mix)
6.Kimara Lovelace - How Much I Love You (Reelsoul Dub)
7.PhatFrank,Dana Weaver - Hot (N'Diga Gaba Remix)
8.RiskSoundSystem,Marc Evans - Closer (DJ Spen & Gary Hudgins Remix)
9.Mixas - Get A Groove
10.Dj Sonic - Broken Soul
2kza_dj (Tumelo Moitoi) / Nolitha ( Latest Single)
Musicaly Born into the industry since 2004. 2kza_djs passion to spin the decks started when he followed YFM's late dj Khabzela who mentored him into this aquired trade. Since then 2kza collected vynils as his baby steps to what he little knew would his way of life. 2kza has played alongside icons & the hottes Dj's the likes of Vinny da Vinci, Dj Fresh; Lulo Cafe, Dj Choice, Dj Kent, Dj Qt, Dj Dimplez, Glen Lewis, Mbuso T, Dj Claude, Dj China, The Naked Dj & the list goes on. 2kza plays vocal house music. He is know to move the masses with sing along beats & always surprises the crowds with a touch of old school. Passionate about music 2kza remains keen to keep the Music culture alive with by also crossing gendres during his sets. Playing the likes of Kwaito & Hip Hop. http://soundcloud.com/2kza_dj
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